like wet cement

Chile in 1961.
The first supporters arrive in the Colonia Dignidad (engl. “Colony of the Dignity”) that has just been founded by their leader Paul Schäfer. He promised his followers a god-fearing life in a promised land. In return, they should give humanitarian aid to the poor rural population. From outside the Colonia Dignidad appeared to be an idyllic, self-sufficient community. Yet inside, life consisted of hard labour, abuse of power and child abuse. Leader Paul Schäfer established a system in which he could realize his sexual inclinations without any fear of being caught.

During the times of the Chilean military dictatorship, Schäfer maintained a close contact with head of state Augusto Pinochet. Pinochet used the Colonia Dignidad for illegal arm-trades and the murder of his dissidents.

In 1997, Schäfer fled Chile because he was being pursued criminally.

The village, which is now called Villa Baviera, slowly began an opening process. For the first time,  40-year-old men and women were sexually educated. They got to know, who their parents, who their brothers and sisters are. Many of them got married and started a families. Some took the chance to study outside of the colony, but many were already too old for formal education. Those living in the community had only been educated through seventh grade.

Chile in 2015.
Today only 120 people still live in the municipality, from 330 who formerly lived in the community. The inhabitants of the Villa have no savings, no private possession and no pension. Many of them see the a future for the German village in tourism. The former office-building was rebuilt into a hotel; the local restaurant‘s specialties include smoked pork, Sauerkraut, and pork knuckle. German folk music is played around every corner.

The Chilean society and media are very critical of this type of tourism. They see the inhabitants of the Villa Baviera as culprits for the murders wich happended while Pinochets dicatorship. The documentary work focuses on the status of present-day Villa Baviera. Portraits, daily scenes and landscapes create a deep insight into everyday life. The work seeks to be a analog to the often one-sided reporting about the former Colonia Digindad without blinding the present problems.